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Picasso painting Child with a Dove barred from export - RowlandsModernArt.com : RowlandsModernArt.com
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Picasso painting Child with a Dove barred from export

| August 20, 2012 | Comments

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Picasso painting Child with a Dove barred from export

The government has barred the export of a tender early painting by Picasso, his 1901 Child with a Dove, in the hope that a museum or gallery may manage to raise the £50m price and keep it in the country. The painting has been in British collections since 1924 and on loan to public collections in Britain for decades.

Government fixes restriction until December but chances of purchase look slim after recent string of similar campaigns

However it will take a miracle, or an exceptionally benevolent millionaire donor, to keep it here: the pockets of major museums and grant-givers are almost empty after a string of recent high-profile campaigns for other artworks.

The charming painting, made when the artist was just 19 and owned by the aristocratic Aberconway family in north Wales since the 1940s, is a significant transition piece from Picasso’s earliest work to his later blue period. I has also been an infallible crowdpleaser whenever it has been exhibited in UK galleries over recent decades. There are only five early Picasso oil paintings in UK permanent collections.

Its UK significance is underlined in its current exhibition, part of the Picasso and Modern British Art show at the National Gallery of Scotland, which traces the artist’s influence on generations of British artists. It would fit happily in either the Tate or the Courtauld collections, which have both displayed it in the last 30 years. It was once owned by Samuel Courtauld, co-founder of the art school and the gallery with its superb impressionist and early 20th-century collection. However, the Tate still has some heroic fundraising to do to build its major extension at Tate Modern, and the Courtauld has no purchase fund, relying instead on gifts and bequests.

The National Gallery, where it was on long loan from 1974 to 2010, almost exhausted its reserves (and the generosity of the Heritage Lottery Fund and other grant sources) when it bought the Duke of Sutherland’s great Titians with the National Gallery of Scotland, in 2009 and this year, for £50m and £45m respectively.

Last week, the charity Art Fund, which has bridged the funding gap for many acquisitions, gave just £100,000 to the Fitzwilliam in Cambridge towards buying a famous painting by Poussin, because its reserves are still low after the Titian campaign and the £850,000 it gave to the Ashmolean in Oxford to buy a Manet work.

The National Museum of Art of Wales, which also has an outstanding late 19th- and early 20th-century collection mainly purchased directly from the artists by the remarkable sisters Gwendoline and Margaret Davies, would love the painting but have little hope of raising the price.

Significantly, no UK museum was able to make a bid for the painting before it was sold at a Christie’s auction earlier this year to an undisclosed overseas buyer.

The painting came to London in 1924 with Mrs RA Workman who was, along with her husband, a major collector of impressionist and post-impressionist art. She sold it a few years later to Samuel Courtauld, and on his death in 1947 he left it to his friend Lady Aberconway, and it had been in her family ever since.

The export has been barred by the government until December, but could be extended for another six months if there is a chance of any gallery finding the money.

Aidan Weston-Lewis, a member of the reviewing committee which advises the government on such export bars, said: “Child with a Dove is a much-loved painting, whose iconic status, together with its long history in British collections – latterly on loan to public galleries – make it of outstanding importance to our national heritage.”

by the Guardian published on the 17th August 2012

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Category: Art News